As my practice is centred around the exploration of real and fictional identities I wanted to continue with this concept for the exhibition, I was fortunate enough to work with Freya Everest, an artist who works with tactile materials such as expanding foam, dryer lint and glass resin to create sculptures. Rather than directly mimicking Freya's practice by using the same materials I decided to take Freya as my subject and secretly observe her. Using a combination of text and objects I presented my findings in a sculptural arrangement titled, She enjoys the occasional Morley's (2018).